Akua Intaglio Inks - Speedball
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This guide is designed for artists and printmakers seeking to master the use of Speedball Akua Intaglio Inks. These water-based inks are ideal for intaglio, monotype, and relief printing, offering vibrant colors and easy cleanup. A key advantage is their extended open time, allowing for detailed work. However, users should be aware that achieving specific color mixes may require experimenting with Akua Liquid Pigments.
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| Brand | Speedball |
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FAQs
Are these inks safe for children?
Yes, Speedball Akua Intaglio Inks carry the AP Seal of Approval, indicating they are non-toxic and safe for use by children.
Can I mix these inks?
Yes, Akua Intaglio Inks are designed to be mixed with each other, and you can also use Akua Liquid Pigments and Modifiers to create custom colors.
How do I clean the ink from my tools and plates?
Clean up is easy with soap and water. Clean your tools and plates immediately after use to prevent the ink from drying.
What is the open time of these inks?
Akua Intaglio Inks have an extended open time, allowing for detailed work and manipulation. This can vary based on environmental conditions and the addition of modifiers.
Can I use these inks for screen printing?
These inks are specifically designed for intaglio, monotype, collagraph and relief printing, not for screen printing. Speedball offers screen printing inks as well.
What kind of paper is best for these inks?
Use a paper suitable for printmaking, such as etching or printmaking paper. Experiment with different papers to achieve desired results.
Troubleshooting
Ink appears too thick or tacky.
Add a small amount of Akua ink extender or water to adjust the consistency.
Ink is drying too quickly.
Work in a cooler environment or use a retarder to extend the open time.
Prints are not transferring properly.
Ensure proper inking and wiping techniques. Adjust the pressure on the printing press as needed. Try a different paper.
Colors appear dull.
Use a higher quality paper or adjust your inking technique to ensure a better transfer.
Ink is not cleaning up from the plate.
Use a suitable plate cleaner and make sure the ink is completely removed from the plate before cleaning up with soap and water.
Pros and Cons
Pros
- Vibrant, long-lasting colors
- Easy cleanup with soap and water
- Extended open time for detailed work
- Versatile for multiple printmaking techniques
- Non-skinning formula prevents premature drying
Cons
- May require color mixing with Akua Liquid Pigments to achieve specific shades
- Requires proper storage to prevent drying out
- May not be suitable for all types of paper
Setup, Compatibility & Care
- Preparation: Ensure your work area is clean and well-lit. Gather all necessary tools and materials, including printing plates, paper, brayers, and a clean surface for inking.
- Inking: Apply a small amount of ink to a clean inking slab. Roll out the ink with a brayer to create a thin, even layer.
- Application: Ink your plate, ensuring the ink fills the etched or recessed areas. Carefully wipe away excess ink from the surface of the plate, leaving ink only in the recessed areas (for intaglio) or on the raised surfaces (for relief).
- Printing: Place the inked plate on the printing press bed, and position your paper on top. Run the plate through the press to transfer the ink to the paper.
- Cleanup: Clean your tools and work surface with soap and water immediately after use. Store the ink in an airtight container to prevent drying.
Compatibility
- Printing Plates: Compatible with various plate materials, including copper, zinc, and plexiglass for intaglio, and wood or linoleum for relief printing.
- Paper: Works well with a variety of papers, especially those designed for printmaking. Experiment to find the best results.
- Modifiers: Can be used with Akua Liquid Pigment and Modifiers.
Care
- Storage: Store inks in a cool, dry place, away from direct sunlight. Ensure lids are tightly sealed to prevent drying out.
- Cleaning: Clean tools and surfaces thoroughly with soap and water after each use. Avoid using harsh solvents.
- Mixing: When mixing colors, start with small amounts to avoid waste. Keep a record of your color combinations for future reference.